Amelia to report from Comic-Con International for the Sci Fi Channel

Originally published on official Sci Fi Channel websites in the UK, France, Italy, Spain, Germany and Russia.

Well hello, sci-fi-ers!

Er... hi. Who are you?
I'm Amelia. Hullo. Although this is my first blog for this site chances are you already know me (or my voice, anyway) as I'm a continuity announcer on the Sci Fi Channel.

So why have you escaped the glowing confinement of my screen to talk to me on here?
Well, when I'm not on the tellybox informing you all about the delights of Dollhouse, Heroes et al. I'm also an actress and one of the feature films I appeared in last year is screening at this year's Comic-Con in San Diego. Because of this I've been asked to go along to speak on the panel and will be wandering around open-mouthed and gaping at the geeky wonderousness for the full event, including the exclusive preview night (where I'll get to see sneaky screenings of new shows which haven't even aired in the US yet).

I'm sure tonnes of people would love to to go but can't so I'm going to be letting you fine chaps and chapesses in on the action by doing a daily blog for scifi.co.uk, taking pictures AND filming a video diary.

I'm Comic-Con-fused. What on earth are you drivelling about?
Comic-Con is like Lourdes for the terminally geeky, where fans of all things genre turn up in their droves every year to worship at the altar of awesome. It's the biggest such convention in the world (celebrating its 40th anniversary this year) and many companies use it to break all kinds of exciting news to the masses, show never-before-seen, brand spanking new episodes and films, and release limited run collector editions of all kinds of cool stuff that can only be obtained at the 'Con.

Speakers for this year include Joss Whedon and Eliza Dushku (for Dollhouse), David Tennant, John Barrowman and Russell T Davies (for Dr. Who/Torchwood) and Tim Kring plus assorted cast members (for Heroes) to name but a few! For full details of what's going to be shown take a look at the official Comic-Con website (kudos to anyone who reads the entire list without getting a joy-induced migraine).

So... if there's anything you'd like me to check out while I'm there, from comics to TV shows and anything in between, then just give me a shout and I'll do my best to cover it. Just post a comment under this blog or hit me up on Twitter. Easy peasy.

What's this film malarkey all about, then?
The film I'll be on the panel for is an independent British sci-fi feature called 'Schrödinger's Girl' which was shot early last year. Read that again: British. Science fiction. Feature. Yes, it IS possible. It's also deeply awesome.

I'm intrigued. Entice me.
Alright then, I will! Do you like inter-dimensional travel? Evil parallel selves? Worlds colliding? Geeky in-jokes? How about zombie brain slaves and lashings of blood? This film has it all.

It's a parallel universe flick exploring alternate histories via three different versions of the UK: the first is much as ours is, the second's a technologically advanced utopia of slick, apple-esque gorgeousness, and the third, the People's Republic of Great Britain, is a dark and grimy Commie dictatorship. Chuck in an illegal supercomputer, a vial of neural accelerant and some ill-advised quantum tunnelling experiments and you have a chase through realities as one hapless scientist attempts to undo the damage she's caused and return the world to normal before her alternate selves can interfere.

I ended up playing more roles than any other actor in the film - a total of five characters - as well as providing the voice of the mysterious Q computer (a sort of Brit-chick version of GLaDos), and some of my parts were rather bizarre to say the least (being baldcapped and chained to a wall for a day of filming was a particularly memorable experience!).

'Schrödinger's Girl' will be closing the film festival portion of Comic-Con at 3:40pm on Sunday the 26th of July and I'll post more details about where you can next see it in the UK when the new trailer goes up online.

Sounds like fun. Who's GLaDOS?
Seriously? Oh my god... Play 'Portal'. NOW.

So yeah, apart from battling jetlag and spending a couple of days in LA that's what I'll be doing. All very, very cool and more than a little exciting. Bulb changed. Brown alert engaged. Be cool, Tyler, just be cool. And remember to breathe.

Looking forward to hearing all your thoughts and suggestions for what you'd like me to cover. Take care and play nice,

Milly

Dazed and Comic-Con Fused.

There's been a veritably flurry of good news for the soon-to-be-renamed 'Schrödinger's Girl' of late - first it signed to US sales agent Multivisionnaire, and now I can proudly announce that it will be screening at this year's Comic-Con in San Diego! Plus, I've been asked to go along and speak at the convention after the film! I'll also be in Los Angeles for a few days prior to the Con, exploring and meeting people along with director Huw Bowen and fellow star of SG Damian Hayes. This is literally the most excited I've been since I got a Bumblebee action figure for my 6th birthday. Squeee!

For those who don't share my nerd-esque tendencies and have no idea what Comic-Con is, think of it as Lourdes for the terminally geeky, where fans of all things genre turn up in their droves every year to worship at the altar of awesome. It's the biggest such convention in the world (celebrating its 40th anniversary this year) and I've been wanting to attend for as long as I can remember so the mere idea that a film I appear in will be there to entertain fellow fans is enough to make my head spin. Very cool news indeed! Aside from wandering around the convention for five days soaking up the atmosphere like some kind of wide-eyed sponge before taking to the podium/desk/darkened corner with Bowen et al. to chat to fans about the film, I've also got a few interviews lined up which I'm very much looking forward to - well, it just wouldn't do for me to have an actual HOLIDAY, now would it? Heheh, as IF talking about comics and sci-fi is work. God, I love my job.

As you might have gathered I'm proudly out of the closet as a sci-fi lover so obviously I adored being part of 'Schrödinger's Girl', but for me the best thing was that the parallel worlds aspect allowed every character to appear in a different guise in each world. In fact I ended up playing more roles than any other actor in the film - a total of five characters - as well as providing the voice of the mysterious Q computer, and some of my parts were rather bizarre to say the least (being baldcapped and chained to a wall for a day of filming was a particularly memorable experience!).

For those of you who haven't heard about the film yet, let me tell you a little summat about it to whet your appetites: It's a parallel universe sci-fi feature film exploring alternate histories via three different versions of the UK: the first is much as ours is, the second is a technologically advanced utopia of slick, apple-esque gorgeousness, and the third, the People's Republic of Great Britain, is a dark and grimy Commie dictatorship. Chuck in an illegal supercomputer, a vial of neural accelerant and some ill-advised quantum tunnelling experiments and you have a chase through realities as one hapless scientist attempts to undo the damage she's caused and return the world to normal before her alternate selves can interfere.

So far SG has had screenings in locations as diverse as Cannes and Swansea (where the SG team, pictured above, turned up at the International Film Festival) and I think this diversity is a nice little geographical echo of just how broad the appeal of this film is. Yes, it's a sci-fi film (and I fully understand how that label alone can be enough to put some people off) but rest assured it's not just one for the geek patrol. I was very pleasantly surprised by how accessible the technological side of the script was to the average 'normie' viewer, allowing the audience to make as much or as little of that side of things as they chose to by letting the action carry the main weight of the plot, while simultaneously refusing to dumb down and including some great geeky in-jokes - no mean feat! There's also some fantastic subtle comedy in there, mainly in the form of wry observations from 'space cops' doubleact Slip and Hand, and the special effects have already been soundly praised by critics.

The guys at Quiet Earth liked it (and they're people who know a thing or two about genre films! Read the review here) and I reckon you will too so I'll keep you updated about where and when you can next see it. If you're lucky enough to have Comic-Con tickets then do check it out - it's closing the festival on Sunday 26th at 3.40pm - and if you see me wandering about with my mouth hanging open feel free to say hi, or offer me a paper bag to breathe into.

See you in SD!

Milly x

Amelia is "outstanding" in feature film 'Wasters' says DSD magazine.

"They say imitation is the sincerest form of flattery and if that applies, writer/director Luke Rufo is sure trying to flatter Kevin Smith (Clerks).

On paper that sentence reads far more negative than I’d like to imply, expanding on the statement or rather putting it another way would be to say that Clerks is worn proudly on ’Wasters’ English sleeve, the premise is familiar but it’s sensibilities are truly rooted in the Midlands which give a fresh approach, not to mention this is a good 15 years after Clerks, fresh for a whole new batch of “wasters” and enough to feel like a hearty salute (as opposed to a carbon copy) to the original “clerk”.

At it’s bare essentials ’Wasters’ delivers a heart felt lover story intertwined with a buddy comedy, the character list is short but strongly developed, you know these characters, you’re likely to be one of these characters, or at worst know somebody who resembles their traits. Sometimes they can be slightly stereotypical and caricatured but it’s more a flaw attached to the side characters.

Sticking to pretty much one location is a brave move, you need the script to deliver, fortunately ’Wasters’ delivers albeit in an over the top brash and blatantly disgusting manner, you get what it said on the tin and trust me, I’m reflecting this as a positive. I wouldn’t be surprised if Luke Rufo had experienced many of these conversations in real life because they felt extremely natural for a mid twenties midlander and considering I fit that demographic, I have a right to validate it.

The films not perfect by any means, maybe a tad long for it’s style and some of the ADR needs fine tuning but considering the likely minimal budget (this is an independent film after all) they achieved great success, an extra note must be made to the four main characters who were beautifully cast and had extremely legitimate chemistry. Amelia Tyler was particular outstanding and at times, truly hate-able.

Recycled premise, limited budget and lacking a big studio polish but you know what? Wasters shines through that with all the heart and genuine passion that any big Hollywood blockbuster could provide.

9/10"

Originally written by Dale Driver for DSD Magazine.

'Wasters' bags Best British Film at international film festival!

Last week saw the much-anticipated premier of 'Wasters', one of the five feature films I appeared in last year, and... well, saying it was a hit would be a massive understatement.

Sex, lies, laughs and betrayal are the order of the day in this drama/comedy following the lives and loves of four twenty-somethings working in a Birmingham bar. Kyle dreams of escaping his dead-end job and winning the love of pretty co-worker Cam, despite his dimwit best mate B.J.'s insistance that they're already living the dream, while Kyle's saucy sister Sarah (that's-a me!) contents herself with making trouble while planning to run away to Ibiza with her slimy boyfriend. But what's Cam hiding from Sarah, why does B.J. go mental whenever anyone mentions porn and exactly what IS a platypus? As secrets are spilled and strings pulled the four friends come to realise they don't know each other quite as well as they thought they did...

Playing bitchy villainess Sarah was a huge amount of fun, as was working with amazing up-and-coming writer/director Luke Rufo, and after such an intense shoot it was fantastic to see everyone again at the premier nearly a year later. The production team had kept very hush hush about the whole thing - none of the cast had even seen the dailies - so I was understandably a little nervous before the screening but the rapturous applause and lashings of praise afterwards more than made up for the wait.

The premier was part of the six day Heart of England International Film Festival and 'Wasters' itself got the largest audience the festival had ever seen (despite other films on show this year starring the likes of Kate Winslett and John Schneider!). Even with several rows of seats added last minute it was still standing room only so a huge thanks to everyone who came to see it, and to the many audience members who grabbed me after the screening to offer their congratulations and blush-worthy compliments. I was gutted I couldn't attend the awards ceremony at the end of the week, partly because actor Jeremy Bulloch (who played Boba Fett) was there, but mainly because 'Wasters' received the coveted award for Best British Film - DEEPLY awesome news! Massive congratulations to all the cast and crew.

Since then the film's also been accepted into several other prestigious international film festivals, including Los Angeles, Italy and Ireland, so the festival fun looks set to continue for many months to come. Hurrah! I'll attend as many as I can and keep yl up to date with details of where you can next see the film. It's definitely worth a watch - the story kicks ass, it looks gorgeous, the soundtrack rocks like a drunken one-legged sailor in a storm, there are men in leiderhosen and... well, let's just say my costume is a little on the 'low-cut' side. Ahem. What more could you want?!

I can also now proudly announce that this month you can see 'Wasters' on the big screen as there's going to be a special cinema screening at the Tamworth Odeon on Monday the 29th of June at 7pm. Tickets are free but obviously there are only as many as there are cinema seats so book now for the chance to see the film in all its glory, plus meet some of the cast. Email me at info@ameliatyler.com with 'Wasters tickets' as the subject title and I'll do my best to sort you out.

See you there, squidlings!

Milly x

Dear Daedra...

Ok, folks, I need your advice. Luckily this isn't the boring kind of advice that falls into the 'cup of tea and a chat' category. You will not require your serious thinking hat. You will not require kleenex (unless you happen to REALLY like hurting inanimate objects). What you will require, however, is a wicked imagination, a hatred of machines that don't work properly and a soul full of untapped rage. If you have none of the above please stop reading now.

Still with me? Thought so. Ok, here's the deal: after months of suffering at the non-existant hands of my utterly inept router I decided to bite the bullet and get a newer, better one. This new thing looks spookily similar in style to Eeeevaaa from 'WALL-E' and puts the old one to shame, practically glowing with monochrome efficiency while the old one looks on from its dust-covered lair of jealousy under the stairs.

Now, I'd consider myself a fair person. I happily accept people's flaws and often forgive to the point of stupidity, but in this case old router (or 'merde') has pushed his luck twenty too many times and is definitely in need of a damned good punishing.

So I need you, citizens of the interwebs, to decide just how I destroy this greedy electricity gobbling waste of space once and for all. I was originally thinking of an 'Office Spaced'-esque hands-on disembowling but feel free to let your imaginations run free. Post your suggestions to me on Twitter, facebook or myspace and the winner will see their brutal will be carried out and the resulting video posted on my youtube channel for all to see.

Can't wait to hear what you come up with, you sick, sick puppies.

Milly x

PS - extra bonus points for those who get the reference in the title (though I can't give you back all those wasted hours of your life. Sorry).

Excuse me, did somebody order a LARGE HAMMER?

Two blogs in a week - what IS the world coming to? Life's been a ridiculous whirlwind of madness recently - production meetings, shoots and trips to London coming out of my ears, plus an ill-advised prop-buying mission has left me with a fridge full of low fat cheese spread that's stressing me out somewhat (don't ask. Seriously) - so I've taken a couple of days off to get some much-needed R&R. FYI, for me a 'day off' means only working for 6 hours, as opposed to the usual dawn 'til well past dusk and then some but, before you ask, no, I haven't done the washing up yet. Perhaps if I leave it long enough it'll achieve sentience, develop a sense of shame and clean itself up without my help. I can but dream...

Part of my 'milly fun-time' has been spent playing the newest Tomb Raider chronicle: 'Underwhelmed' (I know the box for the game says 'Underworld' but just trust me on this one). Now, I'm a huge fan of the Tomb Raider games - puzzles + killing mythical creatures really mashes my buttons - but not quite enough to warrant shelling out for a PS3 just yet, so I patiently waited until the title was released on PS2 instead. My patience was definitely NOT rewarded. Let's just say that either Eidos are delierately trying to force gamers to buy the new kit by releasing utterly unplayable games, or the programmers got a load of work experience kids in, said "make her boobies REALLY big this time" and then buggered off down the pub. The graphics are horrendous and worse than that, a bug in the game means you can't save your progress. Ever. Stop it, Eidos - you're just being greedy now. I'll get a PS3 when I've got the cash, ok? C'mon, you know I'm good for it.

The voiceovering is a bit much in this one, too. The cut sequence stuff is nice enough, despite all the villains apparently being made entirely of cheese, but the truly unncessary moaning noises Lara makes during the actual gameplay occasionally makes me think I've accidentally sat on the TV controller and my arse has selected a porn channel. All I'm asking you to do is just from one ledge to another, you tight-buttocked cow - there's no need to cry about it! Also, I HATE motorbike levels. Time after time I successfully navigated a maze of hair-raising icy mountain passes only to bump into a pebble on the side of the road, flinging Lara over the edge of a cliff to her untimely, ragdollish death. And what's with all the millions of giant swinging Thor hammers?! Is copying a pasting an existing room now an acceptable alternative to getting off your arse and actually designing a new one? And then just as I was gearing up, hammer of a god in hand, ready for the big boss fight... oh look, the game's over! I swear, the neighbours must think my poor fella's a victim of domestic abuse, the amount of swearing I did while completing that game. No wonder they're so nice to him.

Aside from getting PS2-related RSI, one of the things I've been busy with is the first ever shoot for Barely Human Productions, the film production company I run with Paul Hardy. We decided to go in all guns blazing, rather than start small, and the result is an 8-part comedy web series entitled 'SatNav Lifestyle', in which human beings rely on super-intelligent satnavs to guide them through all aspects of everyday life, from urination to dating. Needless to say it all goes horribly wrong when one woman decides to go it alone and I spent the first two days of the shoot last weekend blissfully making a total idiot of myself. There's nothing like squeezing a whole tube of Colgate into your mouth at once or standing by a lake in your pyjamas to make you realise that this acting malarkey's not quite as glamorous as people make out!

We had some fantastic people on the cast and crew for this shoot, all of whom either Paul or I had worked with before on other projects. Thanks to everyone on the team, but special shouts out to DRL and Joe Geraghty for being such top camera guys and bringing along the mahoosive crane for the street scene (quite the most ambitious shot I've ever seen attempted on a low budget film), fantastic 'Uncle' Nino for the much-praised catering, Dee for the amazing graphics work (CatNav was particularly popular), and to our two students from Coventry Uni, Luke and Alam who came along to help out, taking on continuity and boom-swinging respectively. I first met these two lads when I appeared in their student film a few months back and they displayed such a passion for film and a drive to push their production beyond the usual student level that I knew I had to invite them along to the Barely Human shoot. Paul and I intend to offer crew places to students on all our films as we believe that actually MAKING films with industry pros really is the best way to learn. Incidentally, I've been meaning to blog about student shorts for a long time. Maybe next month I'll actually pull my finger out. Finally, a HUGE thankyou to Huw and Chris of our sister company, Entanglement Productions, without whom 'SatNav Lifestyle' would not have been possible, and to next door's cat for not having her kittens in the house prior to filming.

Speaking of the Pinches and Bowen, exciting things are afoot with Entanglement Productions. Their first feature film, sci-fi blockbuster 'Schrodinger's Girl' (on which many of the SatNav Lifestyle crew first met) now has a US sales agent! I'll keep you posted with further details as and when but for now, congratulations, lads! You can find out more about the film at www.schrodingersgirl.com. Entanglement will also be joining Barely Human as part of 'Anomalab' - a collaborative group that specialises in weird and wonderful films and will be setting new content free on the mighty interwebs on a weekly basis. Anomalab's currently in its testing period but is already releasing some great stuff on iTunes via the Anomalab podcast and has a youtube channel where all the films can be viewed until the main website goes live. Which is going to be VERY cool, by the way. Next week's offering will be 'Homo-sapiens Sanguisugens' - a practical guide to dealing with vampires from the mysterious Ministry of Secrets. If you haven't seen it yet then go. Find. Now. Or subscribe to the podcast. Or both!

One final thing that's amused me recently: last Tuesday I spent the day in London working at the new Universal Pictures building, doing some voiceovery bits and bobs for Sci-Fi and new channel 'Diva' and amongst other things voiced a promo for a new series called 'Millionnaire Matchmaker'. Yes, apparently these days the mind-blowingly rich and famous aren't content with swimming in champagne and setting peasants on fire, now they want lurve too and they're willing to pay an understandably smug lady with perfect teeth hundreds of thousands of pounds to find it. What's wrong with match.com, eh? (Other dating websites are available). Personally, I recommend they ditch the dating agencies and just head for the nearest film set - that's where I found mine ;)

Right, I'm off to sharpen up the hacksaw and sell a couple of vital organs in order to buy a PS3. God of War 3'll be out in a month or so and there's nowt like swinging two glowing poi of death and murdering half the characters in the Oddessy to relax a girl. If anyone knows any good receipes involving cheese spread then I'm all ears.

Tatty bye,

Milly x

If the hat fits...

A recent, slightly off-the-wall, photo shoot has made me think a lot about the public perception of beauty so I'd like to talk to you (or, more accurately, type AT you) today about looking perfect, femininity and why I think they're not all they're cracked up to be.

I've never been a girly girl. My dad was a car-building design/technology teacher who had no sons so, in an oh-so-predictable first child's display of daddy's girl-ness, I spent my childhood shunning pretty dresses and dolls (which I actually find a bit creepy) in favour of hour upon hour in my dad's grimy workshop. As a result I emerged into adulthood with some terribly useful skills - not only do I actually enjoy drinking cold coffee (a trait that particularly endears an actress to over-worked runners!) but I can weld, bricklay, do woodwork... I LOVE doing DIY or, more accurately, love STARTING DIY. But more than anything I love being able to fend for myself. Don't get me wrong, this is in no way a display of feminism, taking pride in not needing a man to do the tough stuff for me; it's simply independence. I've always been crap at delegating anyhow!

Yup, I was a proper tomboy, never happier than when I was up a tree in my pyjamas. However, there's always been a part of me that's watched with envious eyes as all the girly girls played with their dollies/makeup, clearly relishing in their femininity. I've never been conventional looking and was made accutely aware of this at the age of 7 when I observed my mother brushing my little sister's hair and telling her how pretty she was. I examined my reflection in the mirror, my feline green eyes and messy raven hair a stark contrast to my sibling's tumbling blonde locks and wide, long-lashed peepers. "Am I pretty, mummy?" I asked. Mum just chuckled and dubbed me "unusual". I peered at my reflection again. What the hell did 'unusual' mean?! I instinctively sensed it was not a good word. Obviously my mum didn't mean anything by what she had said but nevertheless I spent a great many years feeling at odds with my looks and slowly realised that, no matter how hard I tried, I was never going to be one of those unattainable visions of feminine perfection the boys all drooled over and treated like they were made of cut glass.

School plays were a particular sore point - I was almost always the villainess, the harlot or the worldly-wise old lady. I didn't like that one bit, in fact after being cast as Madame Armfeldt in a production of 'A Little Night Music' I made my parents swear not to come and see the show, so sure was I that I'd been horribly mis-cast. However, in a bizarre twist of fate it was my mother who once again changed how I viewed myself. "Who do you remember most vividly after you go to a panto", she asked me, "the princess or the wicked witch?" I was stunned. The answer was clear, plus the witch definitely looked like she was having more fun.

And so it was that I realised 'pretty' is definitely not the same thing as 'good' and began embracing character roles, and to my surprise have also been offered a great many female leads along the way. I've found it very heartening that over the past few years the public view of beauty, and what makes a real heroine, has changed somewhat. These days nobody wants to see a beautiful, brainless girl looking stunning all the time and relying on a man to sort out all her problems. Thanks mainly to Mr Media we're all made so aware of our own flaws that nobody can relate to a character who is utterly perfect, and the success of Bridget Jones et al. only serves to prove that nowadays a female heroine is all about the struggle - overcoming odds and ultimately being rewarded. Flouncy, giggling airhead romantic lead I may not be, but ass-kicking heroine who, for some odd reason, can't tie her own shoes? Now that I definitely CAN do.

The message to the female population is a strong one - it's our flaws that make us interesting and watch-able and 'unusual' is often better than 'pretty'. After all, if there are a hundred other actresses out there who look just like your lead then chances are nobody is going to remember the girl you just cast! I definitely think it's an attitude we should encourage in the younger generation - discover your so-called flaws and revel in them - they're what make you unique.

And so back to that photo shoot I was talking about. Despite being very happy to accept my flaws on film I've always had a bit of a fear of stills shoots. Moving images have a way of distracting me from the physical and concentrating on the acting and story but with photographs I have no such hidey-hole - I must face myself head on. Headshot sessions fill me with dread and I almost always hate 99% of the photos I walk away with. Luckily my dear friend Bo Davies is an excellent photographer and shares my taste for the unusual and slightly out there, so we arranged to do a preliminary character shoot so he could work out my angles before moving on to headshots at a later date.

I was horribly nervous beforehand but it turns out that if I approach a photo shoot in the same way as I would a film (that is to say, 'become' a character) all my nerves fly out of the window. Yes, all I needed was the right hat! I absolutely adore the shots we got that night and Bo seemed very happy with the results so we've several more, increasingly imaginative, shoots planned for the near future - hurrah!

Funnily enough the session with Bo not only totally cured my phobia of stills shoots but also did a huge amount to prepare me for the filming of Barely Human Productions' first ever web series, for which I spent a whole weekend making an absolute tit of myself. More news on that very soon but for now I'll simply add a behind the scenes photo to the end of this blog so you can see me making myself 'pretty'. Heheh...

Right, enough ranting and rambling from me. I hope you're all well and I'll definitely be blogging again soon, now that life's calmed down a wee bit. In the meantime, when you have a chance take a good ol' look in the mirror and find the bits of yourself that you don't like. Are they really flaws, or are you just 'unusual'? ;)

Take care. I'm going to fling on my PJs and head for the nearest tree!

Milly x

PS - you can feast your eyes on more of Bo's gorgeous work at www.myladylieswaiting.deviantart.com

PPS - thanks, Mum, for seeing me through those difficult years, for finally making me realise the truth and for sneaking into that production of 'A Little Night Music' without telling me. And also for whichever part of my scattered eastern european heritage gave me my eyes and rubbery face - they've come in rather useful recently! Love you x



"Maybe she's born with it... maybe she's just a total idiot."
Making myself pretty on the set of 'SatNav'.



My favourite from the shoot with Bo, mainly because I look so damned crazy!



Another favourite from the Bo shoot, but looking a bit less mental.